Following up on all those thoughts — and that mockup! — about flared-front 18th century stays, I 1) found more examples, and 2) made up my stays, and 3) wore them to the Northern California Pirate Festival where I performed with Bella Donna as the House of the Rising Sun!
San Francisco Bay Area people: you should know about a NEW event coming up May 2-3 in Vallejo! Carnevale Fantastico is a brand new Renaissance faire, but it’s not just any Renaissance faire. It’s specifically an ITALIAN event, with performers, theater, food, and more that will be more than your usual “renfaire”! Bella Donna Historical Performers will be performing, and I’m really excited about it!
Remember this plan to make Mae West’s costume from I’m No Angel? Well here’s how it turned out!
Oh god, I’ll never catch up with stuff if I wait to do posts about each individual thing, so here, minus The Book, my life the last few (many?) months!
I went to a 1920s Circus Picnic, for which I turned a shitty polyester prom dress from ebay plus a bit of a sari into a circus costume inspired by a picture of my great-grandmother. I forced myself to do the worst sewing job ever on it, since it was such a throw-away costume, and I looked pregnant in it (note to self: stand up straight!), but I had fun!
I performed at Pirate Fest with Bella Donna (as the House of the Rising Sun — New Orleans tarts), for which I made a quick wig based on the Balloon style from The Book. Accessorized by a faaaabulous hat by Jenn.
And I prepped for, went to, and recovered from Costume College, but like everyone else, I’m waiting on professional photos for that post! I no longer bother to take good pics of myself, since I know the professionals can take such better ones. So yeah. More about that soon!
OH, and Frock Flicks is back. After years of my poking them, Trystan & Sarah have finally gotten excited about this again. We have a website. And a Facebook page. And a twitter. And will be recording a new podcast in the next week or two.
There’s been NO sewing since the vampire dress last fall. Mostly because WIGSBOOKWIGSBOOK, but also because WIGSBOOK turned my sewing room into a STY the likes of which it may never recover from. Seriously. I go in there to get something, then run out and shut the door because I have The Fear.
Nonetheless, there have been a few dress up occasions over the past 6-8 months:
I went to GBACG’s Bal di Carnivale, which was a FAAABULOUS masked 18th century dinner. Since the theme was 18th century masquerade, I wore my fancy dress Maja costume, with my 1938 Marie Antoinette wig, and a black and silver harlequin mask. The wig was a last minute idea — I was stressed because I had no time to make anything for myself, but given the WIGSBOOKWIGSBOOK, how could I show up at an 18th century event in a crappy old wig? All of my current red wigs have seen better days, and frankly, they’re just not up to par even if they weren’t looking ratty! I was so glad to realize the white wig would work, and I think it really added to the ensemble.
Francis and I were asked to perform a minuet, something that I learned how to do about a year or two ago. It has been a life dream to learn, and we performed it at a Lumieres dinner and again when we were in France. I said sure, then when the day of came got super grumbly as we were last minute scrambling to remember the steps. But then when we danced it, it felt super magical, and I was so glad we did!
A month or two ago, Bella Donna performed at the San Jose Fantasy Fair. This was our second time at this fair, and it’s a lot of fun — almost all the audience is little kids, and we play crazy-in-a-good-way OTT princesses. I wasn’t in the mood for a complex costume or big hair, so I ended up doing a riff on last year’s Pirate Fest 18th c. outfit, but with super princess-y hair, with a braid around my head and long curls on one side. And a ton of flowers and ribbons, to dress things up. We had a great performance — we do a ridiculously silly show that is essentially a mash up of Cinderella and The Bachelor. And in our space, we had a tea party set up for little kids, which was SO cute — kids just knew it was for them, marched right up, plopped down, and started playing tea party.
And finally, I went to a Lumieres 18th century dinner, which was lots of fun. I was nearing the book finish line, so I wasn’t in the mood AT ALL to wear anything complicated — so I wore a black striped 18th c. jacket that I banged out a few years ago and have never managed to blog with a white cotton, embroidered petticoat. I threw together a new wig, which I ended up powdering because I ran out of time to dye my hair! I don’t have any great pics, but here’s photographic proof:
Oh, and I almost forgot! I went to a semi-interactive theater performance set in a 1920s speakeasy. I dressed up in a modern, slightly faux-1920s silk charmeuse dress with a pretty flower printed on the lower portion, and a vintage 1920s black silk satin evening coat — and the repro Great Gatsby bandeau. And my husband went, in a modern suit as he doesn’t have anything 1920s!
So I mentioned it’d been a typically busy fall for Bella Donna, my mostly-Renaissance Italian singing/performing group. What did we get up to?
First, we performed at Much Ado About Sebastopol, a small, historically accurate (I know!) Renaissance faire in Northern California.
For the annual San Francisco Italian Heritage Parade in October:
Made Liam carry our Really Huge Venetian Flag… | (C) Froguy
And won second place for “Best Novelty Act”!
Then we went to the Folsom Renaissance Faire, where we again did multiple shows…
And then there was the Vampire Ball — 4 gigs over 2 months — phew!
It’s been a crazy busy fall, what with work being busy plus TONS of Bella Donna performances. Which accounts for my lack of posting around here, plus any court dress emails I haven’t responded to!
I did make something new, crazy me. Bella Donna performs every year at the PEERS Vampire Ball, a fabulous event that is always right after Halloween. It’s in a gorgeous hall and everyone brings out their gothy/historical best costumes. We generally do two song sets of vampiric songs — we rewrite a lot of our English 16th & 18th c. songs into vampire lyrics, and this year we performed Thousand Years by Christina Perri (used in the most recent Twilight movie) and Love Song for a Vampire by Annie Lennox (from the 1992 Bram Stoker’s Dracula movie).
Usually we all wear whatever we’re in the mood for, but this year Karen had the crazy idea that we should do a group costume and go as the various characters from the 1992 Bram Stoker’s Dracula movie (the one directed by Coppola). This was relatively crazy given how busy we all were, but it was such a good idea, and some of us had things already on hand that would work…
I went as one of the three brides of Dracula, along with Shawna and Tara. Shawna and I bought ivory and gold cotton saris from Utsav Fashion, and I whipped them both into basic dresses. For Shawna’s, we copied the dress worn by the redheaded bride in the movie; for mine, I just futzed until I liked it.
Here’s the inspiration:
Part of what made the costume seem do-able was that it was so simple, but of course you know me and hair — if it doesn’t have complicated hair, then I’m not interested! So I immediately decided I wanted Monica Belluci’s fabulous high/braided hairstyle with cool headdress and veil. So I bought a REALLY long wig and a bunch of half-braided pieces in a slightly darker color than I normally wear and got to work. Things were going smoothly until I had to go on a work trip and left my bag that had all the braided hair, the headdress, my jewelry pliers, and my IPAD in a taxi. I WAS SO PEEVED. Multiple phone calls later, no bag, and I had to reorder all of that stuff. Oh, plus the GORGEOUS vintage fan I was about to restore. I am still the most bummed about that.
After that crisis… I made a wire form for the high portion of the wig, and then handsewed individual braids to it. You’re thinking this sounds like it took a lot of time. Yep! I finally had to give up and accept that the back would be covered by the veil (a length of silk/metallic organza), and just bobby pin/roughly sew the braid ends down in back. The headdress was made from various jewelry findings from Fire Mountain, plus a vintage Indian bullion applique.
So that, plus some custom-made fangs (yay! I’ve wanted some forever!) and jewelry, and we ended up looking like this:
I also managed to talk my husband Michael into coming (he loves Halloween, but the last few years he’s flaked out on this event). To join in the group, he wanted to go as Renfield:
I told him I could make his straightjacket for him, but he’d have to iron all the pleats into place because I didn’t have time to do it myself. He bought the fabric, dyed it, and did all the pleating, and then I draped the straightjacket and hack sewed it together (thankfully it didn’t need to fit well or look well made!). He then spent hours distressing it in the backyard while I napped! Karen helped him achieve crazy hair, and he looked pretty great even tho we weren’t able to find him any good glasses:
Beyond that, we had Jenn as Mina in a gorgeous red bustle ballgown that she banged out the week before the ball, Karen as Lucy in her orange wafting-through-the-garden ensemble, Paul as young/hot Dracula, and Liam as Van Helsing. All in all, I’m impressed what we came up with, and bonus — I think the colors on the singing group worked really well together, three of us in ivory/gold and the other two in orange and red!
You can see all of my pictures from that evening on Flickr, if you’re so inclined.