San Francisco Bay Area people: you should know about a NEW event coming up May 2-3 in Vallejo! Carnevale Fantastico is a brand new Renaissance faire, but it’s not just any Renaissance faire. It’s specifically an ITALIAN event, with performers, theater, food, and more that will be more than your usual “renfaire”! Bella Donna Historical Performers will be performing, and I’m really excited about it!
Speaking of auctions, as I did in my last post, reminded me that I occasionally like to troll through auction sites for images. It’s a great way to find new-to-you portraits and sculpture, and sometimes even extant clothing.
Here’s a few things that I’ve found lately that I liked — almost all 18th century, of course! Because that’s how I roll.
The conversation on my movie review of Amadeus sparked an interesting discussion about early inspirations for costuming, and Lylassandra said, “I would LOVE a blog post about which movies (and other experiences) first inspired your love of costuming.” I think the “other experiences” is worth chatting about, but that’s enough to be another post… but sure, I’d love to yammer about early costume movies!
Of course, the first thing I did was go through my movie reviews and some online lists of costume movies to try to remember which ones had an impact on me. I’ll confess right here that I was born in 1974, so I was probably too young to see Amadeus or Dangerous Liaisons when they first came out.
The first thing that came to mind was all of the not-quite-there inspirations, so the beginning of this post might seem a little flimsy, but then I’ll get to the knocked-me-over ones at the end, so stick with it!
For sure, Gone With the Wind was an early one. I remember my mother buying me a VHS boxed set, and I definitely watched it a number of times. I remember LOVING the huge crinoline skirts, but being frustrated by all the short sleeves and weirdly 1890s elements in what should have been the bustle years. And I was too young to think Rhett Butler was terribly attractive (he just seemed kind of greasy), and I thought Ashley was super annoying. So it was always a less than satisfying watch! I will say that I hadn’t watched this for years, when about a year ago our local art deco movie theater showed it. I went to see it and apparently I am now the right age to appreciate Rhett Butler, because HOT DAMN! I was swooning!
I’m sure I didn’t see My Brilliant Career (1979) when it first came out, since I would have been about 5, but I must have seen it when I was relatively young because it is one that has always stuck with me… probably more so for the extremely literate and fascinating main character, but also for her ugly duckling-ness. I remember being fascinated that she COULD go a different route… This is a movie I think too few people have seen. If you at all like strong heroines and complex stories, WATCH THIS.
I definitely watched and rewatched Far and Away (1992) a number of times, mostly because it was a historical romance. I always thought it was cheesy, and I’ve always been irritated by Tom Cruise and loved Nicole Kidman. The costume era wasn’t one that really thrilled me, but again, romance! History! Costumes! Hey, I was just graduating high school…
Other ones I specifically remember are:
- Orlando (1992) — I think the artiness of it confused me, but I loved the huge white 18th century dress:
- Age of Innocence (1993) was visually and costume-wise stunning, although the overwhelming theme of restraint made it less-than-perfect to me. I do remember thinking that I could NEVER make a costume as fabulous and complex as the bustle gowns worn in the ball scene.
- Interview With a Vampire (1994) had some great elements but Tom Cruise was a big wet blanket on the whole thing, and there weren’t enough (grown up) female characters featured for me. I did love Madeleine’s dress:
- Queen Margot (1994) got a little too rambly and depressing in the second half, and I had done enough renfaire to know that all the slutty no-chemise/partlets and open bodices weren’t correct… but I’ve always loved her redheaded lady-in-waiting’s look (okay, mostly the hair):
- I definitely remember seeing Little Women (1994) in the theater and loving it — I’ve loved the book since I was a kid, and reread it multiple times — but it’s not really a shiny movie. The highlights were Meg March’s dressed up ballgown, and adult Amy’s bustle dresses:
- Portrait of a Lady (1996) blew me away costume-wise, but again, a depressing story that I probably wasn’t old enough to really appreciate. I would very much like to take a walk in the rain in a bustle gown along with Isabel Archer and Madame Merle.
So what DID do it for me? What imprinted fundamentally on my consciousness? Hands down, it has to be Merchant/Ivory.
I saw Jefferson in Paris (1995) IN Paris, on my very first trip to France. I had been studying abroad in Scotland for a semester, and afterwards I did a whirlwind two weeks in Western Europe with a college friend. We arrived in Paris and relatively early on, wandered down the Champs-Elysees and saw posters for a costume movie, and I was sold. I remember LOVING everything about the French characters, but of course, the film tries (with only limited success) to explore some darker elements, and that limited success dampened things for me a bit. But dear god, the lushness of the costumes — not just great dresses, but great wigs! Hats (shout out to Mela Hoyt-Heydon, who I think made them)! Accessories! Amazing locations! It was an era I didn’t really know or have much chance to encounter, but probably my love of the 18th century dates from this movie. If only the movie had been focused on Maria Cosway, I think I’d die and go to heaven. Greta Scaachi is an amazing actress, and those shots of her in the Opera scene — just, whoa. (That’s a real fantasy of mine, going to the opera in 18th century costume, but of course I’d want everyone to be in 18th century costume!). I also think (looks-wise) that their casting of Marie-Antoinette is probably as close to the real thing as we’ll ever get. And I modeled my first Lumieres character on the small character of Adrienne de Lafayette (bottom picture).
But more than anything, I think Howards End (1992) and, even more, A Room With a View (1985), were the early epitomes of Amazing Costume Movies. Particularly Room — I wanted (and still want) to dive into that world and just stay there. No matter that it’s not really a costume era that makes my toes curl, but it has Travel! Romance! Humor! Tweedy English locations! “Old world” Italian locations! Stiff upper lips! Intimate family scenes! I love so much about both movies as movies — interesting stories, complex characters, etc. But the costumes in particular were SO well done. They weren’t just gorgeous, they were gorgeous AND lived in. I felt like these were real people living real lives in real clothes, they hadn’t just grabbed something off the theater costume shop rack and put it on. The hair. The accessories. The underpinnings. The hats. The veils. I think it’s the casual day wear that gets me even more than the fancy evening stuff. I love seeing Charlotte walking in her suit. Lucy playing badminton in her blouse and skirt. Mom cutting the roses in the wind and being irritated by Charlotte. Cecil reading terrible fiction (is he not the epitome of PONCY?) while Lucy tries to ignore George. Charlotte and Eleanor sitting in the poppies, while Charlotte hints at some past amours in exotic Shropshire. Eleanor striding about Florence, taking no guff. Every time I go to Florence, I have to go to the various piazzas where they shot, especially the fountain where they tried to revive the dead guy.
And now I can’t remember who it was, but I do recall bonding with someone when we agreed that we’d both tried to get our hair to look like the Italian girl who gets kicked out of the carriage:
Howards End is also up there, although not quite as high (no Italy, no happy romantic ending). I adore the country locations in particular — the bluebells, the Howards End house itself. All the same things about the costuming grabs me — how detailed and ornate and yet lived in it all feels. This is an era that I do like more than the pouter pigeon, and Margaret’s engagement party and lunch suit in particular are the ones I love. Again, just a world I would love to dive into.
It’s funny, because Edwardian never was and (probably) never will be a key costume era for me. But seeing these worlds come to life so vividly, and seeing historical costumes that were really clothes, just blew me away.
So, what about you? What were the formative costume movies for you?
So I mentioned it’d been a typically busy fall for Bella Donna, my mostly-Renaissance Italian singing/performing group. What did we get up to?
First, we performed at Much Ado About Sebastopol, a small, historically accurate (I know!) Renaissance faire in Northern California.
For the annual San Francisco Italian Heritage Parade in October:
Made Liam carry our Really Huge Venetian Flag… | (C) Froguy
And won second place for “Best Novelty Act”!
Then we went to the Folsom Renaissance Faire, where we again did multiple shows…
And then there was the Vampire Ball — 4 gigs over 2 months — phew!
Two random links of interest!
Madame Isis has posted a fabulous write-up on the history of the beauty patch covering the 16th to the 20th centuries on her historical toilette blog.
Reading Natalie Garbett’s post on on studying and producing historical costume referred me to the free Chateau de Malmaison (the former home of Empress Josephine) costume app, which has some stunning images of Regency court costume. Did I mention it’s free?
From May to October, Buckingham Palace will hold the exhibition: In Fine Style: The Art of Tudor and Stuart Fashion.
From the site:
This exhibition explores the sumptuous costume of British monarchs and their court during the 16th and 17th centuries through portraits in the Royal Collection. During this period fashion was central to court life and was an important way to display social status. Royalty and the elite were the tastemakers of the day, often directly influencing the styles of fashionable clothing.
In Fine Style follows the changing fashions of the period, demonstrates the spread of styles internationally and shows how clothing could convey important messages. Including works by Hans Holbein the Younger, Nicholas Hilliard, Van Dyck and Peter Lely, the exhibition brings together over 60 paintings, as well as drawings, garments, jewellery, accessories and armour.
A book related to the exhibit is forthcoming, written by the curator of paintings at the Royal Collection:
It looks like I may be in the UK this June, so I’m hoping to catch this exhibit while I’m there!
And busy work season, which combines to mean not too much sewing and not very much posting from me! But work is starting to calm down, so I thought I’d tell you about what I’ve been up to lately. I have been doing SOME sewing, but I have no pictures, so that will need to wait another day or two for a report.
Mostly it’s been Renaissance season, performing with my Venetian courtesan singing/acting group, Bella Donna. First on our list was Much Ado About Sebastopol, a new-ish Renaissance faire that is A) a benefit for local schools and B) trying to create a new version of a faire that is based on some attempt at focused historical accuracy. This year it expanded from one to two days, and it was a BLAST. The focus is on an English village with English villagers doing lots of crafts and activities — sewing, weaving, etc. — with a visit from the Queen and Court. Bella Donna is the only foreign group there, which means there’s a more cohesive village-y feel than you get at most faires. The crowd is fun and more history/family oriented than the barbarian crowd (not that there’s a problem with barbarians…). And again, they have craft demos and activities for kids… and a REAL BUILT STAGE, which we love to perform on, where we and the audience are in shade most of the day! (Nobody wants to watch a stage show when they’re sweltering in the direct sun on a day in the 80s/90s). Lots of fun and sillness ensued — at one point I sat in the Queen’s chair and tried to encourage customers to annex Russia for me, although it was hard to convince them.
Then two weeks later was the San Francisco Italian Heritage Parade, an annual event that winds through North Beach, the Italian neighborhood of SF. Its a ton of fun, with queens and courts and marching bands and Italian-themed groups like us and totally non-Italian themed groups. The best part is the last 10 blocks or so are a complete street party, as restaurants move tables out onto the sidewalk and everyone eats and drinks wine and watches the parade. We were joined again by some friends from the German Guild of St. Max, and they — plus our Venetian boys — were the hit of the parade… or, I should say, their codpieces were! We do some singing when we can, when the parade slows down enough to let us breathe, and did a combination of singing and dancing for the judges at the end of the parade. Then we were off to the Colosseo and Mona Lisa restaurants, who were our sponsors this year, to sing for their customers and eat lunch (some SERIOUSLY good pizza, people!). My feet were killing me by the time we were racing to catch the ferry home, but I’d had so much fun that it was totally worth it!