When I talk about the 18th Century Hair & Wig Styling book, a lot of people tell me, “Oh, I could never make my OWN 18th century-style wigs!” But you can, because I can! I’m not a professional hair stylist, wig maker, or wig stylist. I spent years experimenting with different techniques on my own hair and wigs, and through trial, error, research, and a few helpful pointers from others, I discovered how to reproduce the looks of the 18th century. If I can do it, so can you!
Need proof? Here’s some of my own 18th century hairstyling/wig-styling journey:
2004: My first attempt at a “hedgehog,” the bushy 1780s style. I curled and ratted my own hair and lived to regret it.2005: I really didn’t know what to do for earlier styles, so I curled my hair and put it in a loose bun.2006: I’d made my first Super Historically Accurate gown but wasn’t sure what to do about my hair, so I went with up in front, ringlets in back.2008: high 1770s wig! I used a stuffed fabric shape for the height, & it slowly collapsed over the course of the day.2008: My friend Linda suggested I build a cage of wire mesh. It worked! It wasn’t perfect, but I was excited.2009: I was still figuring out how to not look like Marge Simpson.2010: I’d gotten the frizzy 1780s wig looking good in front…2010: but I still didn’t know how to style the back correctly.2011: I learned what happens when you wear a tall wig too far back on your head: HEADACHE.2011: I was working out what exactly the back should look like, and adapting my friend Judy’s technique for creating perfect hair rolls with glue.2011: I was getting better shapes, and had figured out what the back should look like — but I hadn’t figured out how to make it look perfect.2012: I had the glued hair rolls down perfect, even if I hadn’t discovered lace front wigs yet!2013: My overall shapes were better, and this wig taught me what I needed to do to make the back look historically accurate.2013: I was also enjoying the fact that I could wear the same wig and change up the accessories to go with different costumes.2013: I was figuring out earlier styles than the ones I’d been doing so far, and again experimenting with techniques.2014: I wrote a book! I taught myself SO much about how to make 18th century wigs look right & be convenient to make & wear.2014: I really perfected the back elements of the wig…2014: and how to get HEIGHT!
What was the result of all of this trial, error, and research? Wigs that I can make days/weeks/months before the event, so I’m not exhausted on the day of by trying to style my own hair (yes, the book shows you how to do these styles using your own hair, but that’s not my own preference). Wigs that have all the design elements that make them look historically accurate to the specific periods of the 18th century, but are made taking advantage of modern supplies that can be purchased by regular people at affordable prices, and techniques that work for non-professionals (me!).
1730s lace front1770s with my own hair worked into the front1780s lace front1760s in magenta for carnival1780s crazy colors/lace front1770s matching twins/lace front1780s Marie Antoinette lace front1770s
Save €10 PLUS take advantage of one-time-only DISCOUNT SHIPPING TO EUROPE. Use coupon-code COIFFURE to save €10 (£8.90), and choose ECONOMY shipping for very reduced rates to Europe!
IMPORTANT SHIPPING NOTE: Economy shipping books won’t ship until 15 November. They will ship from France, so they will arrive in 2 days (France) to 8 days (the rest of Europe).
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It’s time for our Costume College sale! Save $10 OFF books from now until Aug. 31, 2015 with coupon code COCO15. (No, you don’t have to be a Costume College attendee to use this!)
Want to pick up your book at Costume College? Also use code CCPICKUP for free shipping, and I’ll hand deliver your book!
It’s time for another round of 18th Century Wig Book T-SHIRTS! Two styles this time, both with a fabulous 1780s fashion plate and the text “I woke up like this.”
Limited edition: these will be available from today through August 31.
Costume College 2015 attendees: I’m offering free shipping for those picking up at Costume College — use code CCPICKUP and order by THIS SUNDAY, July 19 at midnight (so I can get the t-shirts in time before I leave!).
Low scoop neck. Available in sizes Small through XXL.
Buy it here: http://18thcenturyhair.com/shop/
High neck style. Available in sizes Small through 3X.
In all caps, because it’s taken me so long to write about it! Costume College happened, and it was tons of fun, as always. I got to hang out with old friends and meet new people, and teach some classes, and go to some classes, and flog the wig book!
First, though, I want to echo what everyone else has said. Although I had a blast hanging out with friends, it definitely felt like there was less interacting among individuals and groups. As with everyone else, it’s the usual things: you’re teaching, or running around, or out of class whenever everyone else is in class, or sick, or what-have-you. For me, I had the added layer of book stuff. I only sold and signed my books on Friday night, but it still meant that I could only make it to the social for about an hour, and couldn’t make the court dress meet-up, and then I was selling books for most of the night. And Sunday, I was in a limited class all day. So, I do think a part of it is just scheduling.
I also feel like as historical costume blogging has grown, so too has Costume College, and I don’t know about you, but I feel like I spend most of the weekend in visual overload over how much Completely Frickin’ Amazing costumes everyone is wearing… to the point where I’m so overloaded that I probably don’t even tell you that how amazing your costume is, because there are SO MANY amazing costumes, and it just becomes this whirl. CoCo has always been a place to strut your stuff, and now that there are so many more of us, there are so many more costumes. I don’t know about you, but I feel like my conversations went something like, “Oh my god, I love this — SQUIRREL!”
Also, I’m really happy that so many people are blogging about costume. It means there’s so much fabulosity out there, and so much information. But, it used to be fewer of us, so there would be about 5 people who you’d stalk and say, “Hey! I know you! Online!” Now, there are SO many bloggers that I know a lot of us have a hard time keeping up, and captchas and spam make it hard to comment, so we’re probably interacting less online. Which then means, there are a gazillion people you might recognize from online, but at the same time you might not feel as close to them as when there were fewer. So, I now spend half of CoCo going “I think I know that person?” And it’s not til later, when I’m looking at pictures or whatever, that I realize “Hey, that was so&so!”
I’ve also given up on trying to take too many photos, since we’re all getting great formal pics from the official photographers. I like that it frees me up to just relax and socialize. But at the same time, it means I miss those opportunities to have a quick squee and pic that I used to; now I’m more likely to sit on the other side of the room and mutter, “Wow, that’s a seriously good dress” than run over.
So yeah. A bigger CoCo, more costumers, all of these are good things. But it does change things somewhat, and I know I for one miss being able to have longer, better chats. So, if we missed connecting, please know that it’s not you, it’s that I’m overwhelmed! I’m not sure whether there are obvious solutions. Some people have talked about reinstituting an LJ meet-up, but I don’t know if I even qualify for that anymore, since I’m hardly ever there!
I mean, just look at all of this pretty!
Okay, on to my CoCo report:
Thursday night I only made it to the pool party for a brief time. We drove down that day, and I was super blown, so there was a bit of chatting and hanging and then I hit the wall.
Friday morning I had to be up bright and early to teach a hairstyling demo. In the class I showed how to do one of the styles from my 18th Century Hair & Wig Styling book. I only gave myself two hours, which isn’t enough to do a hairstyle well when you’re in front of a bunch of people… and yeah, I actually did a really crappy job. But luckily those who I spoke with her happy to see the techniques, even if I didn’t fix and futz to make it all look pretty.
(C) Toni Wilhelm Tumbusch
Later that day I went to Janea and Abby’s class on 18th century dressmaking terminology, which I loved because I’m a terminology geek. There are so many terms we use now to refer to 18th century dress/dressmaking that are totally not used in the era, and then there’s the whole French vs. English thing.
That evening, I wore my this-old-thing (to me) white caraco a la polonaise. I definitely felt the pressure to bring my A game in terms of wigs, but I didn’t want to wear my Kick Ass Wig both Friday & Saturday nights, so I whipped out a quickie 1780s style based on the Balloon. I got about an hour of socializing in before it was time to start hauling books down for my signing & sale. Jennifer Rosbrugh was also there signing her publications, and I felt very verklempt to be supported and celebrated in that way by Costume College.
(C) Laurie Tavan
Saturday was pretty flexible for me. I had one lecture class to teach (on 18th century hairstyles), nicely in the middle of the day, so I decided to make some effort and dress up. I wore my vampire bride costume, which was an easy one to throw on (and hey, one of the very few things I made last year!). I taught my class, I had some lunch… with the cast of Ab Fab, because my friends kick ass like that. Trystan was Edina, Sarah was Patsy, and Karen was Bubbles.
Photo by Andrew Shotwell
What happens when you leave your roomies alone.
Bubbles takes notes.
Oh, also that day, Merja wore the wig that I made for her as her reward for donating big during the book’s Indiegogo campaign. She picked the style, and I made it. She wore it with her STUNNING striped polonaise, and I think the striped bows that she added to the wig just really took it over the top.
Merja - she made the dress, I made the wig.
Merja - she made the dress, I made the wig.
Saturday night was the gala. I didn’t have time to make anything fabulous this year — I knew I wanted a kick ass wig, but beyond that, I just about killed myself to get the book done in time. So I banged out an 18th century sultana — a posing gown, based on Ottoman clothing but interpreted through European eyes, specifically inspired by this painting of Hester Thrale:
Hester Thrale by Joshua Reynolds | Wikimedia Commons
I bought a really pretty ivory and white silk sari on ebay and went to town. The top of it is pretty Ottoman, in fact, and I ended up hand sewing it in bits on the couch. I decided to pleat the skirt to get more fullness, and ended up machine sewing most of that because I was in a hurry. The sash is a bit of red silk organza with gold stripes from Renaissance Fabrics, and I was shocked to find that my last minute hunt for gold fringe was successful — at Beverly’s, of all places!
For the wig, I took down and washed out the wig I made for France. I completely restyled it, adding more hair and making a different frame. It’s not a literal version of one of the book wigs, but it uses the same techniques. I was inspired by this wig, with its silly dangling ringlets, from Gallerie des Modes (I think 1779?):
Gallerie des Modes | Boston MFA
Meanwhile, Trystan had come up with the idea to do a book-themed costume, and Karen and I decided to join in. Both of them wore the wigs they modeled for the book, and we decided to put miniature books in our wigs, which I flogged my husband into making (ah, the joy of hot gluing the night before leaving for CoCo!). Trystan made us mini book jewelry (necklaces & earrings), and for her outfit, she even made a printed-on-silk stomacher with the table of contents, and paper roses made from print outs of the book pages.
Photo by Andrew Shotwell
Photo by Andrew Shotwell
Photo by Andrew Shotwell
Photo by Andrew Shotwell
This was my first time attending the gala dinner in a number of years, and I was glad I did, although a lot of YOU skipped it which made it harder to hang with you! But you guys. There was SO MUCH COSTUMEY GOODNESS.
Loren & Sarah both did gold Marie-Antoinette-inspired 18th century outfits. Leia looked like 18th century Snow White in her stunning francaise (and wig she made based on The Book). Photo by Andrew Shotwell.
Two empresses in Edwardian court dresses.
Sahrye as Madam Vastra — I had no idea that was her!
Fabulous 1830s — the dagging!
Beautiful bustle-y goodness.
Fabulous robes de style.
Merja. You’d hate her if she wasn’t so nice.
I am kind of obsessed with this late teens amazing-ness. It would never suit me, but hot DAMN.
And, unlike the rest of us laggers, Elizabeth, Rebecca, and Katherine kicked some serious ASS in their stunning, over the top, beautiful 18th century court gowns. All three are just drop dead WHOA.
And, my friends, that is just the tip of the iceberg on the AMAZING costumes that were worn all weekend. Every era was there. Game of Thrones, Hunger Games, the list goes ON. I would need a week to track down all of the amazing-ness and post it here, so instead I’ll just send you to the official photographer’s gallery.
Sunday, I had an all-day limited class with Candace Kling. I’ve passed up (just through sheer laziness) the chance to take workshops with her before, and now I am REALLY sorry I did. I was exhausted, but it didn’t matter. That woman knows her stuff!! We made some GORGEOUS ruched trims, and I got so much out of it. I’m really inspired to take more classes from her. She had all these amazing ways of making ruches, pleats, and gathers more interesting that I never would have thought of!
And so, that’s mostly it! It was a great time and over too soon.
