Stays Progress, and Monkey Sewing!

So I’ve actually been working steadily on handsewing the new stays.

First, fabric:  I have enough of the red silk damask to make another pair, but what’s the fun in having two identical pairs of stays? So instead I’m going with this green silk damask that I found on Fabric Guru (my new favorite source for small lengths of nice fabrics).

For the linen layers, I’m using one layer of natural linen canvas, and two layers of linen/cotton fustian, all from Burnley & Trowbridge.  Sadly I didn’t have enough of the linen canvas to do two layers, but I was looking at Costume Close-Up (I think?) and the stays in there were made of 3 layers of linen, one heavier than the others, plus top fabric, so I’m pretty happy with my choices.

I’ve cut out all the pieces, and basted them all together… and in so doing realize just how much a SLIGHT twitch of the angle of the needle can totally wonk-ify your sewing.  Eh, but it’s basting, right?

Onward to boning channels!  I’m starting with the side back pieces, as they were relatively uncomplicated.  I haven’t been doing much sewing at home, but I HAVE been sewing a lot on the train/bus, and quite enjoying it!  My handsewing has definitely improved as I’ve worked on these, because some of the first few rows that I stitched really look like crap.  It’s back to that slight-twitch-of-the-needle-angle thing, and this time it DOES matter because the boning channel stitches will show!  It’s NOT good when you look at your sewing, and think, “Crikey, did monkeys sew this?”  I did some picking out as I went, but tried to take deep breaths about it all and reassure myself that it’s supposed to not be machine perfect!

But, of course, once I finished one piece and my stitching had gotten better, I had to pick out the most egregiously bad sections — which ended up being about half of the sewing!  It’s not stressing me out, though, because I so enjoy hand sewing, and with life being so busy right now, this is just the perfect meditative release.  So, I’ve been going back and filling in the picked out sections, and am making serious progress.  I’m now 95% happy with the stitching I’m doing — it looks like the not-so-perfect examples in Underwear: Fashion in Detail, and it doesn’t look like it was sewn by monkeys.

Here are some pictures which are unfortunately not the greatest…

The Return of the Hand Sewn Stays!

So, remember how I was all, “Boo yah, I’m going to make some hand sewn stays!”  And then I was all, “I want stays now!  I will make a machine-sewn version, and then hand sew later!”  And then I was all, “I got stays!  oooo, distracted by new shinies!”

And then work and personal life got REALLY REALLY BUSY, and I neglected my website for EVAH?

I’m back!  As much as I can be.  I swear, every Fall I say this, but this has been the busiest fall EVER at work; personal life is always busy what with friends and family and faire and costumes and things, but combine that with busy work, and you get an AWOL Kendra here.

The impetus — the more I wear my 1780s stays, the more I get the dreaded Side Boob Cleavage, bane of larger busted girls around the universe.  I hate it, I does, and some corsets do it to me and some don’t.  My original 18th century stays, made from a pattern given to me by a Costume College instructor and I think somewhat based on the Diderot stays, don’t give it to me.  My most recent 16th c. corset only does it somewhat.  My Victorian one does it up the wazoo.  And my 1780s stays have started doing it.

So, finally, a push to make a new pair!  So I’d better put my money where my mouth is and hand sew them, hmm??

First, let’s talk boning patterns.  I made a few tweaks to the pattern that I used last time — basically making all the tabs the same length, and fixing the straps to be more attractively placed.  But the big thing I need to figure out is the front boning pattern.  Because there’s definitely ROOM for the girls in my corset — if I push my stays at the top sides, the girls lay as I’d like them to.  But obviously the boning layout I’m using isn’t pushing me into the right shape.

So, here is a ROUGH approximation of what my current front boning layout looks like.  And here are some ideas, based on looking at exant examples, of other possible boning layouts — all of them will have the horizontal boning that the current layout has, I just got lazy about drawing it.

Any guesses which boning layout you think might push the girls more towards the front rather than the sides?  I’m thinking options 2 or 3.

And yes, I will definitely make a mockup — le sigh!

I have started handsewing the stays pieces (obviously working on the sides and back pieces), but more on that in another post!

Back on track?

Be excited – 18th c sewing is occurring! I want something fab for the upcoming Lumieres gambling event, and I wanted to bang something out from the stash – and it had to be something I could seriously BANG out. A while back I started draping a 1780s duck butt jacket, so since I only had a small piece of fabric I went with that – plus a jacket is quick! I am machining everything I can – I even BAG LINED it. Haven’t bag lined in years! All the crazy bias stripe action was inspired by the white striped dress in The Duchess.  The patterning is based on the 1785-90 jacket at the V&A.

Decisions, Decisions!

So I could easily just whip out one of my many 50s/60s options for the GBACG Mad Men event… but I want to go as Joan.  Yes yes, there will be 5 million of us there… but how can I pass up the opportunity?

Now I’m trying to decide what to make.  She has such a fabulous wardrobe that it’s hard to pick!  And, of course, Christina Hendricks is thinner than me, so while we have the same general shape, I want to be sure that I don’t look like a sausage in whatever I make.  I’ll probably make the skirt slightly looser, for sure.

So what do you think would work best on me?

Tiki Tiki Tiki Sewing

We had lots of fun at Tiki Oasis — for me, mostly because I got to play dress up!  I can’t help it — I blame Mad Men.  I am suddenly all about the 1960s right now.  I’ve decided I love eras with big crazy hair — 1770s-80s, 1870s, and suddenly the 1960s is fitting that bill.  Plus, I’m having the fun of playing dress up without having to wear 10,000 pounds of clothes.  I know!  I’m sorry!  It’ll pass!

Here’s the blouse and skirt I made from a vintage pattern and some fabulous rayon donated by Sewphisticate, who heard my plea for something non-cheesy/non-modern and just whipped this out of her stash… as well as the 1950s tropical sundress and bolero that I paid way too much money for — but was inordinately happy about — at the Art Deco Society vintage sale.