Champagne Fancy Dress: Undies Edition

So I am forcing myself to go back and do a retrospective dress diary for this project, just for documentation purposes!

If nothing else, I’m glad I made it because it forced me to FINALLY make myself a new corset.  See, waaaaay back in college lo those many years ago, when I first started really getting into costuming, I bought myself a standard size corset from Amazon Drygoods, who resold Vollers corsets.  Vollers’ corsets are actually pretty nice — their base pattern was created by the company in the 1890s, so it’s actually a vaguely period shape, and they’re well made, with a REALLY nice feature whereby they include a separate 2″ish wide piece of boning underneath the center front busk, so it’s really supportive. At some point, that one shrunk* so I bought another one, because I was so happy with my first, and I was still at the point where the idea of making a corset seemed terrifying.

Fast forward a number of years, and laziness plus the fact that the corset still seemed to (sort of) fit meant that I never bothered to upgrade. I did start having acid reflux issues with it, however, which made me less excited about wearing Victorian costumes (of course, it took me years to figure out that it WAS acid reflux and not just instant-dehydration). Oh, and as the corset became less and less “sort of fitting” and more and more “barely fitting,” I increasingly got the dreaded Side Boob Cleavage. Ugh!

I’ve been meaning, for the last year or so, to get Jenn to make me a new Victorian corset. Not because it’s TOTALLY out of my skill set, but because I feel like I’m still learning about patterning corsets. Sure, I get how to pattern a corset, but the finer points – making sure the fit is perfect for THAT body – is still something I’m learning; and Jenn is a Master Ninja when it comes to that!

However, the idea for this project came up, and I’m broke and I knew Jenn was busy making her own costume for the Vampire Ball, so it was either keep on with the now-REALLY-doesn’t-fit-plus-acid-reflux Vollers corset, or make my own.  Something I realized making my 1780s stays is that I really never know how a corset fits me until I’ve worn it a few times. So I decided to make a working mockup corset, so that I could be more comfortable for this costume AND hopefully be closer to the final corset shape I’ll end up (which means I could maybe wear it with whatever mythical “final” corset is forthcoming) — plus, hopefully I could do something about the massive acid reflux.

So I hauled out my Jill Salen Corsets book and decided to work with the black & yellow 1890s corset. It was close to the 1880s shape I wanted, plus it looked do-able.

I started to look at Cathy Hay’s corset patterning instructions (more on that in a sec), but then thought, “Whatever, I know how to grade up a pattern!”  So I measured me, and I measured the corset, and I got to work… and made the corset pattern/mock up of ASS.  It TOTALLY didn’t fit, and I wasn’t really sure what to do about it.  So I forced myself to sit down and actually USE Cathy’s method, and let me tell you, WOMAN IS A GODDESS.  She’s got a method that actually WORKS, and it’s relatively intuitive, esp. for someone like me who is a draper/not a drafter and isn’t all anal and left brain-y.  I managed to make a pattern/mockup that fit ME relatively closely, and I was singing her praises (to the cats, natch)!

I did fiddle a bit with the pattern, in that I’m really trying to avoid too much waist constriction, esp. in front, in order to avoid acid reflux issues.  I’m still not sure exactly what it is that causes it, as I don’t get it in my Renaissance or 18th century corsets, but I got it up the wazoo with my old Vollers/Victorian corset.  Was it that it was too small?  Or was it that Victorian corsets are more fitted to the body throughout the waist-to-underbust area?  Not sure, but I tried to not constrict my waist too much, esp. in front, and then tried to do some nip at the side waist so that I’d have something of a nice shape.

I didn’t end up with the world’s perfect corset, but I did end up with a strong working mockup, which is what I wanted. Clearly it needs to be let out a bit more at the hip, and I’m not 100% positive I ended up with the waist in the exact right point, so I either need to monkey with it a bit more or hire Jenn to fine tune it for me.

I was happy to eliminate most of the side boob cleavage issue, although there’s still a bit — not sure if that’s entirely avoidable with a strapless corset, so I need to pick Jenn’s brain about that one too. I moved a seam slightly so that I could get boning where I thought it was needed at the side to push my boobs in toward the center, rather than flatten them back towards the chest.

I’m glad I decided it would be a working mockup — it’s made of coutil without any covering — as I proceeded to set a grommet in the wrong spot, too high, on one side of the back. Duh, but luckily I can ignore that as this is only a mockup, right?

I also made a petticoat to fit over my bustle, since the skirt would have a shorter hemline and I didn’t have anything that length.  Nothing rocket science-y — I used the Truly Victorian early 1870s skirt pattern, as the fancy dress illustrations all seem to have fuller skirts than your typical 1880s dress would.  Bad photo courtesy of my cramped sewing room, which is currently in process of being shifted and reorganized for better usage of space, but more on that in another post!

In the next post: the dress itself!

*Or I outgrew it.

Apparently Fancy Dress Is My Theme

First it was the 18th c. Maja costume, now I’ve been struck by the Victorian fancy dress bug!  A year or two ago, people were passing around the link to this fabulous 1880s book full of fancy dress (ie what historical people wore when they were “in costume”) costume ideas.  And then this summer, Jen and Loren made SUPER fabulously cute fancy dress costumes (telegraph and harlequin) for the CoCo gala.

Suddenly, my SUPER busy season (ie mostly Bella Donna/faire performances) is over (which I promise to post about very soon), the PEERS Vampire Ball is coming up in a few weeks, and I’ve got the time and urge to sew!  However, I kept looking over my planned costumes list and either nothing grabbed me, or it was something that I didn’t want to bang out in a few weeks.  So I hemmed, and I hawed, and suddenly I thought of that fancy dress book, and Jen and Loren’s super cute costumes, and realized aha!  I would make a fancy dress costume for the Vampire Ball, and hey, then I’ll have something fun to wear when I visit Dickens (mid-Victorian being a total snoozefest to me these days).

So I read all through the fancy dress book, and looked at a ton of fashion plates, and settled on the idea that had caught my eye way back when I first skimmed through the book — champagne!  There are a lot of fabulous fancy dress concepts out there, but I wanted something that modern people would understand (for example, I kept loving all the “folly” illustrations, but would people know what that was? and there are tons of historical characters, but I worry that Victorian ideas of historical costume would just read as badly designed/research costumes).  Okay, no idea if people will get champagne either, but at least they know what it is I’m talking about!

So then I started looking through a gazillion fashion plates and here’s what I settled on (commentary in captions will be missing if you’re reading this on LJ, you may want to link to the post on my site if you care):

Suggestions for "champagne" costume from the fancy dress book
My bad PhotoShop mockup -- REALLY hard to get the colors to translate correctly!
The 1886 La Mode Illustree evening gown that I'm basing the design on
Far right and left, examples of fancy dress from 1885 -- most fancy dress skirts are shorter length and fuller, so I'm be using these as an idea for skirt silhouette

I’m planning to use a lot of stash materials for this project.  I have 2 yards of bottle green silk shantung, so that will be the front/side base of the skirt.  Then I have a ton of white cotton velvet, and I spent the weekend dyeing it — first 4 packets of Dylon dark green dye got it to a medium green, then I overdyed it with black for a darker green but ended up w/ a darker blue (wth?), then overdyed it again with RIT dark green and finally got the forest-y shade I wanted.  I bought 2 yeards of a pink-ish gold silk shantung from Mood Fabrics — I’m hoping this color will work on me, since most yellow-y golds wouldn’t:

Now, the final problem has been trim!  I LOVE the balls in the original fashion plate, but I’m having a horrible time finding something to match.  I’m picturing just strings of large gold balls, but they are shockingly hard to find!  Here’s my options:

Some kind of beaded fringe, although I can't seem to find anything where the beads are big enough! Also, can't seem to find round beads in the right color! And, no idea what the size is on this one.
Another beaded fringe -- this one is pretty small, 1" total
I could string pearls or beads, but it's amazingly hard to find them big enough! These pearls are 16mm, which is just about .5", which seems still really small to me.

And, I just recently had the idea to look for gold ball buttons and see if I could string those… what do you think?  Again, I’d like it to read as champagne bubbles!

Thinking About Sewing (does that count?)

So I’ve been being REALLY good this fall.  I work at a university, and generally early fall and early spring are totally slammed times for me at work.  So this fall, I’ve been consciously NOT sewing, since I’m working my tail off at work!  Why stress myself out with further deadlines?  This has been working fine… except that now I’m itching to sew!  And I can’t!

What I’m really ready for is a new Renaissance Venetian gown, since Bella Donna season is heating up.  Oh yes, that’s the other joy of fall — along with a busy work schedule, that’s when all of Bella Donna’s performances are!  So far we’ve done one day of the San Jose Renaissance Faire, two days at Ardenwood faire, and one day at Sebastopol faire; in two weeks, we’ll be at the San Francisco Italian Heritage Parade (super fun!), and then the following weekend is two days at Folsom Renaissance Faire.

I’ve been planning a new Venetian costume since I FINALLY managed to track down fabric that I’m excited about.  Unfortunately the color isn’t totally accurate in these photos, but look — dark red and copper silk damask!  Yay!

I’ve only changed my mind about ten times as to what I’m going to do with it.  I keep coming back to this 1550s Veronese portrait of a woman holding gloves.  I love the narrow gold trim, and even the crazy floral whosiwhatsits!

I spent a long time thinking about the so-called embroidered stomacher (which, in looking at a lot of examples of paintings with decorative stomachers, I’m increasingly starting to think were lace laid on another fabric. Except that this one does look embroidered!) and was trying to find some fabric that would work, but have decided to temporarily not worry about that.  I did find some nice vintage narrow gold trim that I’m going to use for the edging; and I’m considering making the floral appliques out of it by applying it to some silk organza or gold net – what do you think?

I’m thinking I will also add a neck and shoulder ruffs — I love the shoulder ruffs, since they’re so uniquely Venetian.  And, since they did falling (ie not standing) ruffs, it will work with my non-period Bella Donna hairstyle!

I'm thinking about something like this...
...but more of a falling ruff, like this.

The problem with all of this is I have literally one free day between now and the end of the Bella Donna faire season.  So, probably none of it will happen in time for this year!  I am considering whether I could get the ruffs made, and then wear them with another of my costumes.  Which brings me to — I actually have some REALLY fine linen.  Should I use that for the ruffs, or silk organza?  I can’t decide!  I love the sheerness of organza, but it seems like linen would be more period, but I’m worried the linen will be too opaque, but then it’s pretty fine linen, but then no linen is REALLY as fine as period linen…

1780s handsewn stays – lined and done!

Now that the Costume College rush is over, and the “I’m never going to sew again!” burnout has passed, we enter the noodley sewing stage! I’ve started two random things, but realized what I really needed to do was repair the torn eyelets on my 1780s stays… which I did while having a costume movie marathon.

While I was at it, I finally got around to lining these, so I can call them 100% done. I picked up this brown indienne print at Stonemountain a few years ago, and something about it just screamed “stays lining” to me.

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