Back From the 18th Century

Phew!  With the first of what will probably be a few posts:

The Costume Accessories Symposium was faaabulous.  So many interesting research presentations, so many lovely people to meet.  Plus, chances to dress up and run around Colonial Williamsburg!

First, my outfits!  Everything came together relatively well.  I finished most of the habit shirt ruffles and cravat on the plane, although I didn’t have sleeve ruffles until day 2.

I had been planning to do cream bows on the Brunswick, but at the last minute came across some vintage blue ribbon in my stash, and had the genius idea to use that instead.  I was seriously not wanting to wear the Brunswick — I was worried I was going to look like a combination of Aunt Pittypat and a butterchurner.  Luckily, when I put it all together I actually quite liked it, and then when I put the hat on, I loved it.  Yay!

Friday night was an in-costume dinner at the King’s Arms, followed by a chamber music performance, organized by Barbee.  It was really lovely, as almost everyone was in costume, the food was good, and the music was gorgeous.  Both venues were only lit by candles — be still my beating heart!  And afterwards we had dessert at a local home.  I got to meet Abby (shout out:  I had no idea that wasn’t a wig!  We kept calling you “the girl with the fabulous wig,” guess we gotta revise that!) and talk rumps, and Gwendolyn and talk about her work at the Costume Design Center.  I wore my “this old thing” peach francaise.

Saturday was riding habit day.  I loved this outfit too, despite the ginormous wrinkle that developed at my bust point (WTF?).  I felt all sporting (in the 18th c. sense) and tailored, and it was fun to wear it with others in their habits(es) as well.  I wore the habit again for dinner on Monday night.

For some reason this picture makes me happy - I feel like an 18th c. woman on the Grand Tour, looking at antiquities!

I wore the same hat & wig with all of my outfits.  I really wanted to make one of the black hats with tons of feathers that I see in so many riding habit portraits; I was particularly lusting after Lady Worsley‘s hat.  Thanks to all of your good advice, I ended up getting the wool felt hat blank from JAS Townsend in the largest size they had, which as you can see isn’t large enough to really settle down on my wig as far as the hats in portraits, but it worked.  I did the most craptastic job shaping the brim — I couldn’t find anything in my house that was the right shape, so I used a series of bowls and just moved them around as I steamed the crap out of the hat.  Then I covered it in black feathers, some of which blew weird ways in the wind, but I finally figured out how to attach them so that by riding habit day, the hat was looking like what I wanted.

For the wig, I took apart one I had styled before.  I really wanted that particular style that you see around 1779-81 (example), which is somewhere between a pouf and a hedgehog.  I made a lower form than I normally do for a pouf, and ginormous curls.

In the next post, I’ll talk about the symposium and the exhibition!  In the meantime, you can see all of my photos on Flickr.

Threads of Feeling Online Exhibition

Many of you have read about the Threads of Feeling exhibition, which is made up of 18th century textile tokens that were left with abandoned babies at the London Foundling Hospital.  The Foundling Museum has just come out with a very nice online exhibition, with beautiful high resolution images of some of the textile scraps.  Beautiful, and really heartbreaking!

You can read more about the exhibition.  There’s also an exhibit catalog, although it’s listed as out of print on Amazon, and out of stock on Amazon.co.uk.  Not sure if it came and went, or if it’s just not really available yet!

Colonial Williamsburg Online Exhibit

Colonial Williamsburg has launched a cool online exhibit, “Historic Threads: Three Centuries of Clothing.”  Currently, they have formal garments and accessories up — coming soon:  fashionable, informal, work, and lifecycle clothing. There’s a REALLY nice zoom feature. The images are from their new exhibition, which I’m going to get to see (yay!), “Fashion Accessories from Head to Toe: 1600 to 1840,” as well as the 2002 exhibition, “The Language of Clothing” (18th- and 19-century clothing).

Coming soon at the same link will be, “New Threads: Reproduction Clothing.”  I’m guessing we’re going to get to see the work of Janea Whitacre (CW’s mantua maker), Mark Hutter (CW’s tailor), and more!

Thanks to Sewphisticate on LJ for the heads up!

18th C. Men’s Patterns from LACMA

Thanks to the GBACG list for the heads up — LACMA has put up some scaled patterns for some men’s 18th century garments that you can download for free.  The banyan in particular is really cool.  Loren/bauhausfrau mentioned on LJ that the curators said  they may be doing the woman’s 18th c. redingote (which I hope is the stripey one with big buttons that I can’t find a picture of online but that made me swoon when I saw it in the catalogue) – cross your fingers!

Fashioning Fashion Book & Events!

This is a transcript of me, last night, when my copy of Fashioning Fashion finally arrived:

“ooo.  OOO.  hmmm.  OOOOO.  WHOA.  PORN!  PORN!  AIEE!  COW EMBROIDERY!  AGH!  MORE PORN!  OOOOOOOOOOOOOO”

etc.

In other words, if you’re lagger-y like me, and you haven’t bought it yet, GO. BUY. IT. NOW.  And then get ready to spend some quality alone time with it.  WHOA.  *fans self*  I mean, SERIOUSLY PEOPLE.  THIS IS SOME QUALITY COSTUME PORN.

And in related news… two events of interest related to the exhibition!

On Dec. 4, the Costume Society of America’s Western Region will be having an in-depth look at the exhibition, including presentations by the curators.  Registration deadline is Nov. 24 — more info here.

On Jan. 15, LACMA is hosting a one day symposium on the exhibition.  Speakers include the curator from the Kyoto Costume Institute (Akiko Fukai) and the costume curator from the Met’s Costume Institute (Andrew Bolton), along with LACMA’s costume curator, the two collectors who built the collection, and more.  Registration is free, but you have to call to reserve a ticket.  I am seriously considering flying down to LA just for the day to attend this.  I mean, the CURATOR FROM THE KCI IS GOING TO BE THERE.  More info here.

That is all!