Cross-posted from everywhere, but too fabulous not to do so: the Royal Ontario Museum will be exhibiting (only through 10/26!) a dress believed to have been made by Rose Bertin for Marie Antoinette. WOW! They’ve posted a video podcast about the dress which is fascinating, and doc_holliday posted photos of it here on Livejournal. I wish I could get to Toronto, stat!
1770s Pouf Tutorial
As promised but long overdue – my 1770s pouf (big hair) wig styling tutorial.
Book Review: Chintz: Indian Textiles for the West
I’ve realized that something I never do around here is book reviews, which is weird because I’m a total costume book collector. My costumer’s bookshelf page is waaay out of date and needs total revamping. But in the meantime, I’m going to try to start posting book reviews here.
Chintz: Indian Textiles for the West by Rosemary Crill is based on the collection at the Victoria and Albert Museum. I admit that I usually find textiles-specific research boring, as I’m more interested in textiles being applied into clothing. But the one main exception to this is chintz (also called toile/indienne). This is one of the best books I’ve read, with a succinct explanation of the chintz making process and how that changed over time, as well as a history of the production and introduction of chintz fabrics in Europe. The only limitations I found was that it didn’t get into the production of toile and the differences between fabrics for clothing versus furniture, and it cuts off at the end of the 18th century (simply saying that chintz fabrics went out of style, which is an oversimplification — it’s just that European made fabrics took off, but they became the hugely popular cotton prints we associate with the 19th century). The bulk of the book are gorgeous, huge, color images of chintz fabrics — most are flat textiles, but there are some garments included. All in all, a definite must-buy for anyone interested in 18th century printed cottons, and also recommended for 18th century costumers in general.
Dangerous Liaisons on Broadway
Although I don’t tend to follow Broadway too closely (not being near enough to go!), there’s a production of Les Liaisions Dangereuses currently on stage with Laura Linney (Marquise de Merteuil) and Mamie Gummer (Meryl Streep’s daughter, as Cecile) that has quite nice costuming! I particularly like the Marquise’s goldish gown with reddish trimmings. You can see photos on the official site, as well as a video preview at Broadwayworld.com. The only thing that ISN’T grabbing me is Mme de Tourvel’s blue dress – zzzz – but then it’s probably to show her character’s boring nice-ness, eh?
18th Century Printed Cottons/GBACG Costume Academy
Sunday was GBACG’s Costume Academy, our annual one day of classes. I taught two — Overview of Women’s Costume in the 1830s, and 18th century printed textiles. I had a fun time teaching, especially because I had some really knowledgeable people in my classes who were able to add to what I presented – I love when that happens (of course, when it happens WELL — as opposed to annoying people who try to take over). Anyway – fun!
In updating my info on 18th century printed cottons, and because I know the GBACG website is changing and I think the articles may be disappearing at some point, I copied my research to this site so I can be sure it will have a permanent home. I made just a few updates, mostly in terms of where to buy reproductions, and added some images (rather than just links).

