Boys Are Skerry

But I’m making one an outfit, anyway!  Okay, he’s my husband, so he gets special dispensation from the skerry-ness (altho I still may need a lot of hand holding through this process, as I don’t DO boys’ clothes as a rule).  There’s a 16th century event coming up that he is (SIT DOWN FOR THIS ONE) attending, so I’m going to make him an outfit!

The inspiration: Moroni’s Gentile Cavaliere, 1564-5
The inspiration: Moroni’s Gentile Cavaliere, 1564-5

Specifically, a 1560s Italian gentleman’s ensemble.  I wasn’t terribly picky about geography or decade, so long as it was 16th century; I had vague ideas that if I made his Italian, it would coordinate nicely with my Italian wardrobe; but it was only once I found specific paintings I liked, it all worked out, as they happened to be Italian!

I bought the Tudor Tailor Elizabethan Peascod Doublet & Trunkhose pattern, as yes I could spend 10,000 hours sizing up out of The Tudor Tailor… or I could accept that I don’t love men’s clothing (or know them very well), so having someone do that work for me was worth the insane cost of the pattern.  (I get SOME credit for scaling up the shirt pattern from TT, altho that was so not hard).

Originally, I was thinking all wool — I thought the more straightforward masculine-by-contemporary-definitions, the more comfortable he’d be.  He’s a winter color-wise (which has been WEIRD to shop for, as I am all about the warm colors), so we were thinking blue and black.  But when we had a design consult the other night, we veered off and ended up with the idea of all black wool, with dark silver silk damask accents.  Be still, my beating heart!

So here’s the plan:

  • Shirt (mostly done, will post about that soon)
  • Doublet in black wool flannel
  • Trunkhose and canions in black wool flannel
  • Dark silver accents, as in the Moroni portrait (swapping the gold for silver):  dark silver silk damask for the trunkhose lining, and dark silver couched braid on the doublet

I spent a LONG time looking for the silver damask, and was shocked at how little I could find that fit my mental image.  I finally found this 80% silk/20% poly damask on ebay.  Now I’m on the hunt for some kind of dark silver braid/cord that looks like the trim in the painting.  So far I can’t find anything closer than soutache braid, but it seems like there should be some other options?  I’ve checked MJ Trim, ebay, Farmhouse fabrics, minidolls… all my usual trim sources!  Even checked Calontir, but they’re all about the jacquard celtic stuff.  So I’m still hunting – suggestions welcome!

Sausage + Sleeves = Nearly Done!

So my one hour per night sewing resolution was super helpful last week (this week, not so much).  I stayed up late on Friday just for that sense of accomplishment of having the sleeves DONE.

I did one more mockup, moving the upper/lower sleeve seam down.  Looking at it now, I think I should have angled it up even more towards the back, but what’s done is done and I was happy to move on to the real deal.  I cut the sleeves with a motif going down the front outside of the arm, and while there is a break in the pattern because of the elbow seam, I don’t think it’s very noticeable.

I also went through and fixed/reinforced all the gores that were pulling… altho one has pulled yet again.  Sigh.  So I need to get in there with some duct tape or hot glue or… I KID, I KID!

So it’s all done, minus the hem — which is going to be a total BASTARD.  I gotta start thinking of what I can offer as bribes to get someone to mark it for me!

And man, do I look like a sausage.  I’m really going to need a porn star wig (for any Pre-Raphaelite wearings) to detract from the sausageness.  Please to enjoy that monster horizontal wrinkle in back!

Award Nominees Time!

Oscar nominations were announced today.  The costume design nominees are:

  • Bright Star
  • Coco Before Chanel
  • The Imaginarium of Doctor Parnassus
  • Nine
  • The Young Victoria

My thoughts:  aieeee, a embarrassment of riches!  Bright Star really did have amazing costumes — not your standard “hey we rented some muslin dresses for this!”  Granted, the main character designed and made her own clothing (and clothing/sewing play a beautiful role in the movie), so there’s a reason why.  Coco Before Chanel — another good contender.  Less flashy than some other options, because of course Chanel herself was all about the pared down look.  Costume was also used to great effect in this film, again because Chanel herself was a designer.  The Imaginarium of Doctor Parnassus — hard to vote either way.  The costumes were perfect for the film (which I highly recommend), but they didn’t excite me as much as Bright Star, Coco, or The Young VictoriaNine — haven’t seen it, getting lukewarm reviews, will put that one off, so I can’t comment; costumes are by Colleen Atwood, which is promising. The Young Victoria — definitely the flashiest and most “Costume Movie” of all of them.  I was excited to see someone make 1830s really well, using lots of bright colors and interesting fabrics.  In the past, I always heard costumers say, “1830s! Yuck!”  Now all I hear is, “The Young Victoria had gorgeous costumes!”  And it’s Sandy Powell – what’s not to like?

Also, the nominees are out for the Costume Designers Guild awards.  It’s a long list, here are the period/fantasy categories:

Period Film:

  • Coco Before Chanel
  • Julie & Julia
  • Nine
  • Sherlock Holmes
  • The Young Victoria

Fantasy film:

  • Avatar
  • The Imaginarium of Doctor Parnassus
  • Star Trek

Period/fantasy TV series:

  • Mad Men
  • True Blood
  • The Tudors

You can read the full list of nominees on their site.

A New Resolution

So I’ve made a new resolution:  sew for an hour every weeknight.  See, I used to be really really good at this — just a little bit of work each evening.  But for the past few years, I’ve come home exhausted and just flopped all night, leaving most of my sewing (except for hand finishing) for weekends and holidays.  I really want to avoid last minute rushes and panics, so this week I started implementing this resolution, even going so far as to calculate what time it will be in an hour and holding myself to it.

And it’s been bearing fruit!  Not tons of fruit, as that’s not the point, but it’s meant that slow and steady progress is being made, where normally it wouldn’t be.

I’m also trying to be disciplined and stay focused on my must-do list and to ignore any more CADD — if I can get through my must-sew list, then I will be free to do whatever I want!

So I’ve been working on the sleeve pattern for my Gothic Fitted/Pre-Raphaelite dress.  Being totally new to this era, I mostly followed Charlotte’s clear and useful instructions.  She’s right about the shape of the sleeve head — my dress armscye measurement was WAY longer than my bicep measurement, and even though I thought I’d flared the top of the sleeve a bit, I still had NO arm movement possible.  I futzed through a few mockups, finally flaring even more at the top and making the sleeve head curve relatively shallow, and got a nice sleeve top with some reasonable arm movement.

However, I was also getting some upsetting elbow-region wrinkles, and Tasha’s article on the “elbow hinge” was super helpful.  I ended up pinning a tuck (sort of shaped like a fish dart) in the sleeve where the wrinkling was happening, then repatterned with a straight edge for the top, measured out the width of the fish dart, and took all that out of the curved top of the bottom part of the sleeve.  It’s by no means perfect, but it helped.

I think I ended up with the seam connecting the upper & lower sleeves too high, however — I marked in Photoshop where I want to lower it to (on the last picture).  I also want the hem of the sleeve to hit my knuckles, so I need to add about an inch there.  So probably one more mockup before the pattern is finalized.

The one other good thing about this slow & steady approach is that normally, I would have made the above mentioned changes to the pattern and then just gone ahead without a final mockup (in my impatience to just get to the real deal). But since I was done with my hour of sewing for that night, I could resist that impulse and do the sensible thing of one final mockup!

I Finally Ordered Boning

Lethargy (it’s winter!) and CADD!  They are distracting.

I finally ordered boning — thanks to everyone for your suggestions and input!  Unfortunately it looks like not many places carry the extra hard boning (I’ve only found it at Farthingale’s — not even Greenberg & Hammer!) — Corsetmaking.com has it, but they had fewer lengths in stock vs. Vogue Fabrics.  And nobody seems to have the German plastic boning readily available — from Vogue, you have to order 100 meter rolls, Corsetmaking.com has to special order it, Greenberg & Hammer has “European” boning but I’m not sure if that’s the Wissner/German stuff (and I’m sorry, but in this day and age I refuse to have to make a phone call to verify that kind of info and/or make an order.  I promise to start using them when they start doing online ordering).

Phew!  So I decided to order my steel from Vogue, and then I’m going to get some plastic boning (for the horizontal bones in this corset, and enough to do my next version of these stays, which will be the hand sewn/German plastic boned version) from Farthingale’s Canada (expensive, I know, but I can get it by the meter or 12 meter roll there!).

So the boning showed up, I sewed my pieces together, I fray checked my edges, and I got to put it on.  And WOW, do I LOVE this shape.  I put one of my 18th c. dresses on over it, and that confirmed what I had thought — I have a FAR more bowed bust vs. my old pair (which I think are the Diderot stays, or something close — the pattern came from a workshop at Costume College).  I feel like the prow of a ship (in the best possible way), and I don’t even have any of the horizontal boning in yet!  The hard steel is SO supportive, it’ll be a real change when I do the version with the plastic boning (and will be interesting to compare).

The one thing is they are feeling REALLY tight around the waist.  I measured the waist and compared with my recently made 16th c. corset, which is SUPER comfortable, and there’s only a .5″ difference.  So I’m debating whether I should let it out a bit at the waist, or wear them around the house for a few hours and see if things stretch & settle?  I haven’t yet cut my tabs, do you think that would make much difference?  One thing is I only did lacing holes to just past the waist, and you can see how it’s pulling open in back.  I think I will go back and make more lacing holes so that it goes the full length of the CB, and just sew over the offset spiral lace hole that I currently have in there.  I’m not sure if straightening the back out will make the waist even tighter or not, however!

Oh yes, and jeans and a t-shirt ARE the best possible things to wear when trying on your stays!  And at some point I really should pattern some straps, shouldn’t I?