18th Century Hairstyling Book?

So, a potentially crazy idea… A conversation at Costume College got me thinking about the possibility of writing a book on 18th century hairstyling (and makeup?) — using modern techniques to achieve a historically accurate look, working with your own hair, adding false hair, and wigs.  Now, this could be a lot of work, so it wouldn’t really be worth the time unless people would buy it.

Here’s what I picture:

  • Something along the line of Lauren Rennells’ fabulous book on vintage hairstyling
  • Start with some history, include lots of pictures and source material (if possible?  gotta look into that whole public domain images thing)
  • Go over some basic your-hair styling techniques, like ways to curl your hair, tease, etc.
  • Go over some semi-advanced wig/false hair styling techniques, like different ways to curl/straighten synthetic hair, ways to create volume, ways to create rolls, how to attach wigs/false hair to your head, how to match colors, how to not look like you’re wearing a Wig, how to adapt a wig for different hairlines, etc.
  • Step by step instructions that walk you through hairstyle for different eras — I picture 1-2 styles for each decade, with some info on variations
  • Hairstyles would be those worn in France and England (there’s some differences b/t the two, and lots of similarities) — the English stuff could be extrapolated to those doing American
  • Possibly 1-2 styles that are appropriate for lower/middle classes, but most would be upper class styles — I would talk about ways to tone things down if you’re doing middle class
  • Mostly I’m picturing this focusing on women, but it could also talk about men’s styles
  • Possibly including some brief info on creating an 18th c. makeup look using modern products
So, crazy idea or good one?  I’ve created a survey that I’d love if you would fill out so I can try to figure out 1) if there’s a market for such a thing, and 2) what specifics people would want.  Please feel free to share any thoughts in the survey or by commenting here — I wonder if people are concerned about geography, class, etc…. And my forte is NOT “here’s how this recipe from this 1764 beauty manual makes up,” so again, we’d be talking modern/theatrical techniques — would that work for you?
Please feel free to forward this survey around!  The more input I get, the clearer an idea I’ll have as to whether or not this is a viable idea.

Here’s the survey:  http://www.surveymonkey.com/s/KDVJZY7

And, in case you aren’t a regular reader of this blog, here’s some examples of hairstyles and wigs that I’ve done:

18th c. costume exhibit in Brussels

Oh, if only I lived in Europe!  Another fabulous sounding exhibition:  Paniers, Baleines, et Jabots: la Mode au 18e Siecle at the Musee du Costume et de la Dentelle, in Brussels.  That being said… I visited this museum back in 2005 and wasn’t thrilled.  It’s relatively small, and what I mostly remember was cluttered exhibits and dim lighting.  Of course, it’s possible they’ve improved their set-up in the past seven years!  If anyone sees this exhibit, or just has been to the Museum in the past few years, I’d be interested to hear what you think.

Side note:  apart from this museum, Brussels has some AMAZING museums.  The Royal Museums of Fine Art, in particular, have some incredible collections.  If you’re interested, I took a bunch of pictures of costume-related art when I was there in 2005.  It’s mixed into a larger set — if you start with this picture and work left, you can see about 30 pictures that I took there.

Movie Review: Bel Ami (2012)

Hey look at me, doing all this blogging!  I’ve been thinking that I will post costume movie reviews as individual blog posts, and then also cross-post them to the appropriate Costume in Cinema page for posterity.  That way, it creates a bit more content for this here blog, plus allows you to let me know what you thought of the movie (and/or my review).

Bel Ami (2012)

Starring Robert Pattinson, Uma Thurman, Kristin Scott Thomas, and Christina Ricci.  Costumes designed by Odile Dicks-Mireaux.

Buy this and other costume films from Amazon and support this site

Based on an 1880s French novel written by Guy de Maupassant… and if that doesn’t give you an idea of the tone of this movie, then let me summarize late 19th century French literature for you:  the people are pretty, but the emotions are BLEAK and will hammer you over the head with their BLEAKNESS!  My boyfriend Robert Pattinson is Georges Duroy, a poor Algerian vet who climbs the Parisian social ladder by manipulating various women.   Pattinson’s performance is better than you might expect, you Twilight haters, but there’s a bit too much grimacing instead of emoting; the three female leads turn in nice performances, but nothing that made me jump up and down.  It’s unclear just what Duroy’s charm over women is supposed to be, exactly — most men can’t stand him, but when he smile/grimaces at a lady (or brings her a pear?), she just keels over, which never ends up working out too well for her.  The costumes are very pretty and quite accurate — I think the opening title card says it’s 1890, but I could be misremembering — they perfectly capture that transition between late 1880s bustle and 1890s.  Lots of pretty sleeveless evening gowns with that vertical line, hair up on top of the head in that pre-Pompadour (except Thurman, who randomly has hair that is about a decade out of style).  None of the gowns made me jump up and down, but they all looked RIGHT, and that’s saying something!  Also, I kept hoping Pattinson’s brows were going to get shaped up as his lot improved, but no dice.

My rating:  2 (out of 5)

If you like this era, you might also want to check my Victorian costume movie reviews.  I specifically recommend the following late bustle/early 1890s costume films:  An Ideal Husband (1999) and Tipping the Velvet (2002).


Catherine the Great Exhibition in Scotland

If you can get to Scotland, check out the Catherine the Great exhibition at the National Museum of Scotland.  It looks fabulous for those interested in the 18th century in general, plus looking through the image gallery, it includes at least four costumes:  one of Catherine’s uniform dresses, two men’s suits, and a 1780s Russian court ensemble.  For those of us who can’t go in person, the museum has some interesting-sounding podcasts on Catherine herself and as a collector.

Fix This Costume! Meh Edition

So last year, I made a Victorian fancy dress costume — specifically, a c. 1886 “champagne” costume.  You can read more about it here, if you’ve totally forgotten about it by now.

Last time we talked, I made some undies.  Well, I also made a dress.  I was really sick the week before wearing it, but pushed myself through finishing by telling myself, “It doesn’t have to be god’s gift to costuming.”  Well, that prophecy came true, as it wasn’t!  Didn’t help that I was still woozy and fever-y and sick on the night I wore it, but I had to go as my singing group (Bella Donna) was performing at the Vampire Ball.

So yeah.  I never found the right trim for it, even after looking at gazillions of beaded trims and christmas ornaments, so maybe it’s the lack of trim that made me feel so meh about it that I never finished blogging?  I don’t know!  I also think maybe the sleeves (which were supposed to be more interesting, but lack of time made for a crappy pattern, so I had to ditch the original plan and go simple) should be A) more interesting and B) in the gold fabric?  Or maybe a sheer, shiny gold tulle, and then echo that in a center front opening showing a faux underlayer in shiny gold tulle, as in the inspirational fashion plate?  And the skirt hem could be shorter?  Help me figure out why this costume is so unexciting, and maybe I can wrestle it into shape?  Or at least do better the next time I attempt fancy dress!  And for trim, go for shiny gold balls, or clear glass balls?  Had a long debate with my husband about that one — I was picturing shiny gold balls, but he kept pointing out that champagne was clear…

A note on the photos — I had to photoshop the base skirt on photos #2 and 3, as the settings on Trystan’s camera were off and it turned my green skirt purple.  So the color/shine is most accurate in picture #1.