Bella Donna fall season

So I mentioned it’d been a typically busy fall for Bella Donna, my mostly-Renaissance Italian singing/performing group.  What did we get up to?

First, we performed at Much Ado About Sebastopol, a small, historically accurate (I know!) Renaissance faire in Northern California.

We did two different shows each day | (C) Howard Gold
Took over the Queen's Court while the Queen was away, which got us in the local paper | (C) Connor Jay, Santa Rosa Press Democrat
Challenged the court gentlemen to perform the Ham Pants Dance, which scandalized poor Sarah beyond recognition...
Got lectured by the Queen the next day, during which we cried and blamed the gents | (C) Philip Pavliger

For the annual San Francisco Italian Heritage Parade in October:

We dressed in an 18th c. Venetian carnivale theme | (C) Beppe Sabatini

P1013533b34

Made Liam carry our Really Huge Venetian Flag… | (C) Froguy

And won second place for “Best Novelty Act”!

Then we went to the Folsom Renaissance Faire, where we again did multiple shows…

Hung out at court | (C) Jon Wilhelmson
And I wore my relatively recently revamped green dress, which now has a better constructed/lacing front but is more widely open, and has had new trim added! | (C) John Wilhemson

And then there was the Vampire Ball — 4 gigs over 2 months — phew!

Your Hot 18th c. Boy of the Day

I claimed I’d be posting these here regularly, clearly I lied (or maybe just got distracted).  But I’ve got a hot folder labeled “boys” burning a hole in my hard drive, so let’s get back to it!

Josef de Jaudenes y Nebot by Gilbert Stuart, 1794 | http://www.metmuseum.org/collections/search-the-collections/12670

18th c. Court Gowns – a different version?

Hi there!  Let’s have a blog, shall we?  Now that the busy time of fall is over, I really really want to update this here thing!  How the hell are you?

One quickie for those interested in the court gown project.  A number of us are using these illustrations of 1780s French court gowns from the Arts Decoratifs/Musee de la Mode et du Textile in Paris:

http://opac.lesartsdecoratifs.fr/

I was interested to note that these must be preparatory drawings for the Gallerie des Modes, as you can find redrawn images of many of the same styles in that publication.  I thought this could be interesting as another take on these dresses, and also — we were talking about panier shapes, and it’s interesting to see that some of the curvier shapes from the drawings are replaced by boxier shapes in the published fashion plates.  Here’s the ones I’ve identified that match chosen gowns:

Claimed by A Fractured Fairytale | www.afracturedfairytale.com
As published in GdM | http://www.banqueimages.crcv.fr
In dark colors, claimed by Bauhausfrau | costumerscloset.blogspot.com/
As published in GdM | http://www.mfa.org
In another colorway, from GdM | http://www.banqueimages.crcv.fr
Claimed by Demode | www.demodecouture.com
From GdM | http://www.banqueimages.crcv.fr
Claimed by Gilded Garb | gildedgarb.blogspot.com/
From GdM | http://www.banqueimages.crcv.fr
Claimed by Mode Historique | www.modehistorique.com
From GdM | http://www.banqueimages.crcv.fr
Claimed by Rose_Bertin | www.thefashionhistorian.com/
From GdM | http://www.banqueimages.crcv.fr
Goth version of this claimed by Trystbat | www.trystancraft.com
From GdM | http://www.banqueimages.crcv.fr
Claimed by Donna | http://helenwinfield.livejournal.com
From GdM | http://www.banqueimages.crcv.fr

There might be others I’ve missed!

Vampire Ball – Bram Stoker’s Dracula group costume project

It’s been a crazy busy fall, what with work being busy plus TONS of Bella Donna performances.  Which accounts for my lack of posting around here, plus any court dress emails I haven’t responded to!

I did make something new, crazy me.  Bella Donna performs every year at the PEERS Vampire Ball, a fabulous event that is always right after Halloween.  It’s in a gorgeous hall and everyone brings out their gothy/historical best costumes.  We generally do two song sets of vampiric songs — we rewrite a lot of our English 16th & 18th c. songs into vampire lyrics, and this year we performed Thousand Years by Christina Perri (used in the most recent Twilight movie) and Love Song for a Vampire by Annie Lennox (from the 1992 Bram Stoker’s Dracula movie).

Usually we all wear whatever we’re in the mood for, but this year Karen had the crazy idea that we should do a group costume and go as the various characters from the 1992 Bram Stoker’s Dracula movie (the one directed by Coppola).  This was relatively crazy given how busy we all were, but it was such a good idea, and some of us had things already on hand that would work…

I went as one of the three brides of Dracula, along with Shawna and Tara.  Shawna and I bought ivory and gold cotton saris from Utsav Fashion, and I whipped them both into basic dresses.  For Shawna’s, we copied the dress worn by the redheaded bride in the movie; for mine, I just futzed until I liked it.

Here’s the inspiration:

Dracula's Brides from Bram Stoker's Dracula (1992)

Part of what made the costume seem do-able was that it was so simple, but of course you know me and hair — if it doesn’t have complicated hair, then I’m not interested!  So I immediately decided I wanted Monica Belluci’s fabulous high/braided hairstyle with cool headdress and veil.  So I bought a REALLY long wig and a bunch of half-braided pieces in a slightly darker color than I normally wear and got to work.  Things were going smoothly until I had to go on a work trip and left my bag that had all the braided hair, the headdress, my jewelry pliers, and my IPAD in a taxi.  I WAS SO PEEVED.  Multiple phone calls later, no bag, and I had to reorder all of that stuff.  Oh, plus the GORGEOUS vintage fan I was about to restore.  I am still the most bummed about that.

After that crisis… I made a wire form for the high portion of the wig, and then handsewed individual braids to it.  You’re thinking this sounds like it took a lot of time.  Yep!  I finally had to give up and accept that the back would be covered by the veil (a length of silk/metallic organza), and just bobby pin/roughly sew the braid ends down in back.  The headdress was made from various jewelry findings from Fire Mountain, plus a vintage Indian bullion applique.

So that, plus some custom-made fangs (yay!  I’ve wanted some forever!) and jewelry, and we ended up looking like this:

Dracula & Brides (Tara, Paul, & Kendra)

Dracula's Brides (Kendra, Shawna, & Tara)

I also managed to talk my husband Michael into coming (he loves Halloween, but the last few years he’s flaked out on this event).  To join in the group, he wanted to go as Renfield:

Tom Waits as Renfield | http://www.tomwaitsfan.com/tom%20waits%20library/www.tomwaitslibrary.com/interviews/02-maynr5-rollingstonegermany.html

I told him I could make his straightjacket for him, but he’d have to iron all the pleats into place because I didn’t have time to do it myself.  He bought the fabric, dyed it, and did all the pleating, and then I draped the straightjacket and hack sewed it together (thankfully it didn’t need to fit well or look well made!).  He then spent hours distressing it in the backyard while I napped!  Karen helped him achieve crazy hair, and he looked pretty great even tho we weren’t able to find him any good glasses:
Renfield (Michael)

Beyond that, we had Jenn as Mina in a gorgeous red bustle ballgown that she banged out the week before the ball, Karen as Lucy in her orange wafting-through-the-garden ensemble, Paul as young/hot Dracula, and Liam as Van Helsing.  All in all, I’m impressed what we came up with, and bonus — I think the colors on the singing group worked really well together, three of us in ivory/gold and the other two in orange and red!

Family Portrait

Mina (Jenn)

(C) David Bedno
(C) Laurie Tavan

You can see all of my pictures from that evening on Flickr, if you’re so inclined.